This is my Module 6 assignment submission, and this will be on the poem “Why Some Girls Love Horses” by Paisley Rekdal.
Why Some Girls Love Horses
By Paisley Rekdal
And then I thought, Can I have more
of this, would it be possible
for every day to be a greater awakening: more light,
more light, your face on the pillow
with the sleep creases rudely
fragmenting it, hair so stiff
from paint and sheet rock it feels
like the dirty short hank
of mane I used to grab on Dandy’s neck
before he hauled me up and forward,
white flanks flecked green
with shit and the satin of his dander,
the livingness, the warmth
of all that blood just under the skin
and in the long, thick muscle of the neck—
He was smarter than most of the children
I went to school with. He knew
how to stand with just the crescent
of his hoof along a boot toe and press,
incrementally, his whole weight down. The pain
so surprising when it came,
its iron intention sheathed in stealth, the decisive
sudden twisting of his leg until the hoof
pinned one’s foot completely to the ground,
we’d have to beat and beat him with a brush
to push him off, that hot
insistence with its large horse eye trained
deliberately on us, to watch—
Like us, he knew how to announce through violence
how he didn’t hunger, didn’t want
despite our practiced ministrations: too young
not to try to empathize
with this cunning: this thing
that was and was not human we must respect
for itself and not our imagination of it: I loved him because
I could not love him anymore
in the ways I’d taught myself,
watching the slim bodies of teenagers
guide their geldings in figure eights around the ring
as if they were one body, one fluid motion
of electric understanding I would never feel
working its way through fingers to the bit: this thing
had a name, a need, a personality; it possessed
an indifference that gave me
logic and a measure: I too might stop wanting
the hand placed on back or shoulder
and never feel the desired response.
I loved the horse for the pain it could imagine
and inflict on me, the sudden jerking
of head away from halter, the tentative nose
inspecting first before it might decide
to relent and eat. I loved
what was not slave or instinct, that when you turn to me
it is a choice, it is always a choice to imagine pleasure
might be blended, one warmth
bleeding into another as the future
bleeds into the past, more light, more light,
your hand against my shoulder, the image
of the one who taught me disobedience
is the first right of being alive.
This poem is obviously about horses, already knowing this from the title of the poem. This poem goes into depth though about horses and the true bond between a horse and their rider. The first stanza of the poem talks about how it feels to ride a horse, to feel their coarse mane through your fingers when they make a sudden movement. To feel their strong neck move when you pat it after having a good workout. How smart and reactive a horse is to our command, seeming smarter than some humans we know. One part of the poem that was particularly humorous to me is the description of a horse stepping on your foot. This has happened to me plenty of times, and to be laid out and understood so well made all those previous times of almost losing a toe, pretty funny. Most of all though, this poem identified how horses work, with their curiosity and trusting self, that they choose to put their lives in our hands.
The central image of the poem is the love and adoration that this rider has for her horse. She shows this by including not only her own experiences but also by watching others with their horses. One metaphor that is used in the poem is “hair so stiff from paint and sheet rock it feels like the dirty short hank of mane…” (lines 6-9) comparing the hair to a horse’s coarse, rough mane. I also believe that when Rekdal talks about “more light, more light” (lines 3-4 ; 57) she is using it to say that she wants to remember more of these awakening memories. So even though the denotation is more sunlight appearing, the connotation is that she needs more light or more information on this memory. There does not seem to be any consonance or assonance in this poem, with no sounds being repeated what so ever. The only repetition is the “more light, more light” said at the beginning of the poem and the last part of the poem. There is no specific name given to the speaker, but it is someone that loves horses, and enjoys to ride and talk about them.
Cows are Cool 